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Words near each other
・ Symphony No. 7 (Sessions)
・ Symphony No. 7 (Shostakovich)
・ Symphony No. 7 (Sibelius)
・ Symphony No. 7 (Simpson)
・ Symphony No. 7 (Williamson)
・ Symphony No. 7 in A major
・ Symphony No. 70 (Haydn)
・ Symphony No. 71 (Haydn)
・ Symphony No. 72 (Haydn)
・ Symphony No. 73 (Haydn)
・ Symphony No. 74 (Haydn)
・ Symphony No. 75 (Haydn)
・ Symphony No. 76 (Haydn)
・ Symphony No. 77 (Haydn)
・ Symphony No. 78 (Haydn)
Symphony No. 79 (Haydn)
・ Symphony No. 8
・ Symphony No. 8 (Arnold)
・ Symphony No. 8 (Beethoven)
・ Symphony No. 8 (Bruckner)
・ Symphony No. 8 (Davies)
・ Symphony No. 8 (Dvořák)
・ Symphony No. 8 (Glass)
・ Symphony No. 8 (Glazunov)
・ Symphony No. 8 (Haydn)
・ Symphony No. 8 (Henze)
・ Symphony No. 8 (Kabeláč)
・ Symphony No. 8 (Mahler)
・ Symphony No. 8 (Michael Haydn)
・ Symphony No. 8 (Milhaud)


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Symphony No. 79 (Haydn) : ウィキペディア英語版
Symphony No. 79 (Haydn)

The Symphony No. 79 in F major, Hoboken 1/79, is a symphony by Joseph Haydn. It was composed in 1784. The 79th Symphony is characterized by a strong and joyful opening theme as well as varied rhythms throughout all four movements, especially in the minuet. The wind section alternated throughout the symphony either doubling the string section, enriching the tempo and solos void of virtuosity. Of note are long rests which were uncommon in early classical symphonies.
==Symphonies No. 79–81==
Symphony No. 79 was composed as part of a trio of symphonies that also included symphonies 80 and 81.〔HC Robbins Landon, Haydn: Chronicle and Works, 5 vols, (Bloomington and London: Indiana University Press, 1976-) v. 2, Haydn at Eszterhaza, 1766-1790〕 Unlike the previous three that were composed for London or the next six that were composed for Paris, it is not known for what occasion these three works were composed. For whatever purpose they were written, the three symphonies have neither the Sturm und Drang of prior symphonies nor the bold introduction and long first movement of the preceding and proceeding symphonies. Instead, Haydn experiments openly and widely with rhythms, pauses, tutti, minimal polyphony, occasional dissonance, theme and variations and dance like structures (one thinks of Beethoven's 7th symphony in terms of combined innovation, playfulness and daring). All three symphonies share the same structure of movements and for the most part have similar chord structures at least in the first movements of each symphony.

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